ArchivesSpace at the University of Iowa

The micrographic drawing of white micrographic text with a large gray, draftsman's compass is covered by a clear sheet of acetate with random handwritten phrases in red ink. -- Source of annotation: Marvin or Ruth Sackner.

The title phrase is repeated throughout the entire drawing in different calligraphic styles and colors. -- Source of annotation: Marvin or Ruth Sackner.

This drawing consists of an expressionistic calligraphic image almost like the Futurist's parole in liberta. It is atypical of Miglietta's typical, controlled style. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The reproductions in this catalogue show poesia visiva and calligraphic micrography works over the period 1970-1980. This copy is photocopied from the original. -- Source of annotation: Marvin or Ruth Sackner.

This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This drawing on white paper depicts simplified geometric forms. The dimensions of the written letterformed text are just above the micrographic designation. -- Source of annotation: Marvin or Ruth Sackner.

This book has also been called "Libro Dei Contrari." Its theme relates to the contrast between black and white images. The drawings are executed in black and white inks and some have collaged additions. A table of contents is included and the drawings are labeled on their verso. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

This book has also been called "Libro Dei Contrari." Its theme relates to the contrast between black and white images. The prints were photocopied gtpm the oiginal drawings that are also held by the Sackner Archive.s. A table of contents is included and the drawings are labeled on their verso. -- Source of annotation: Marvin or Ruth Sackner.

This book summarizes the 10 books edited by Caruso that featured artists' post cards. It was edited by Luciano Caruso and Sonia Puccetti. The cover image was done by Enzo Miglietta. The print depicts calligraphic, mirror writing by Caruso and differs from the other two images in this edition held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book summarizes the 10 books edited by Caruso that featured artists' post cards. It was edited by Luciano Caruso and Sonia Puccetti. The cover image was done by Enzo Miglietta. The print depicts calligraphic, mirror writing by Caruso and differs from other images in this edition held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.